On the inherent misogyny and racism in heterosexual internet porn consumption
One of the most interesting conversations I come across in academic circles is the thin line between the erotic and the pornographic. Whether we’re talking about Audre Lorde’s seminal essay “Uses of the Erotic” or we’re analyzing the often over-looked pear-tree/masturbation scene in Zora Neale Hurston’s Their Eyes Were Watching God or the scandalous and somewhat explicit carriage sex scene in Flaubert’s Madame Bovary, the relationship between the explicit utilization of human sexuality for artistic expression and the commodification of the human body for sexual exploration lies on the frontier of a greater conversation of the relationship between consumers and the worlds which their texts seek to reproduce. Issues of sex, having become only in the 20th century somewhat normalized to the point of being even considered for discussion in academic circles, still remain somewhat relegated to intellectual niches because of the ways we are socialized to shrink from such conversations. We talk vividly about our sexual encounters with one another in private, but in the professionalized space of the seminar room, conversations on the implications of sexuality and sexual expression are often considered inappropriate.
Yet, there is so much to be discussed in this area, in particular in the area of media and cultural studies. Through the globalizing media of television, film and the Internet, sexuality is becoming more and more a part of our everyday lives, our happenstance conversations in passing, the ways by which we judge our character and self-worth as individuals. We are becoming increasingly cognizant of the impacts of sexual violence and harassment, are having more and more conversations on the implications of sexual advances on those who do not or cannot offer their consent, and are all around growing towards dispelling a general theme at the heart of the heterosexual experience – the male domination of women.